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Is this Nikon Zf Problem Ever Going to Get Fixed?


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Recently, I’ve made some upgrades to my Nikon Zf in the form of a new lens, a sensor shield, and trying it out for a paid photo gig. I think we can all agree that anyone who buys one is in love with the camera. But it surely does have issues of all sorts that even Nikon has admitted actually happen. And recently, it caused quite a bit of frustration to where I often had to overshoot frames to get the image I needed and wanted.

Below is our updated text from the Nikon Zf review. If you want to view the whole thing, click here.

Ease of Use Update September 2025

The newest firmware, 2.02c, offers different wording on some menu items. Specifically, the firmware page states, “Updated some guidance texts displayed on the camera when connecting to the Nikon Imaging Cloud service (the connection procedure itself remains unchanged).” So overall, if you know how to use the Nikon Imaging Cloud service, then you won’t have a problem at all.

Originally, in my review of the Nikon Zf, I complained about the camera not having a sensor shield. My new way around this is to use a clip-in filter over the sensor that I bought from Kolari Vision. In my review of that product, I note how it’s easy for Sony cameras. But with Nikon cameras, you have to do a bit more work in the form of attaching some magnetic strips. Since then, though, I’ve noticed that my Nikon Zf images are overall much cleaner with a few exceptions and problems that cleaning the sensor fixes pretty easily.

Recently I bought the Nikon 24-120mm f4 S lens and took it with me to a paid gig. To refresh here, my day job is running the Phoblographer as the Editor in Chief and Publisher. On the side, I’m paid taxable income for my photography services. To clarify that even more, I’m paid to shoot photos — not share content on platforms. This gig was Pig Island out in Staten Island.

I chose to use the Nikon Zf and the new Hasselblad X2D II because they share the same flash interface. Each camera had its own lenses and own batteries. The Zf needed a battery swap around 3/4 way through the gig, but it otherwise worked fine. Where it had problems though, is with flash sync.

With both Nikon and Profoto flashes, the Nikon Zf just couldn’t give me consistent results when doing high speed sync — which Nikon otherwise calls Auto-FP. By that I mean that the camera wasn’t always syncing with the flashes, which is a problem that I’ve been reporting on for a while and Nikon hasn’t formally addressed a fix for in conversations with me. However, they are aware of it and in messages back and forth, even acknowledge that it exists.

To recap the problem:

  • Set your Nikon Zf to a shutter speed faster than 1/125th using the dedicated shutter dial. When you shoot with a flash of some sort, it won’t always sync up.
  • Change the shutter dial to the 1/3rd step setting and control the shutter as you normally would with any Nikon camera. The problem still happens.
  • Try this with both Nikon and Profoto flashes and it will happen.

The Nikon Zf has a dedicated setting on the shutter dial marked with an “x”. This is for flash sync and fixes the shutter to 1/200th. In bright light during the daytime, this will mean that you’re going to need to use a very low ISO setting and stop your lens down quite a bit in order for the camera and flash to overpower the sun. For the record, I’m using my Profoto B10. This is a strobe that I’ve used for many gigs and across various camera systems. It has never once failed me, and it works just fine with the Nikon Z8 and Z9. So in my findings, and those of fellow staffer Feroz Khan, it’s an issue with how the shutter dial works.

Generations of reviewers before me would make up excuses for this, but I refuse to let billion-dollar companies make up excuses like this. The camera’s flash sync doesn’t work properly. But it works just fine with the Nikon Z5 and Z5 II — which is a lower-end product.

On top of this, and I don’t believe that I’m saying this, the lack of a grip can make it hard to work with one-handed unless you’re clever about how you’re holding the camera. I got the shots I needed and my clients were happy. But as I like to say, I love humanity, but I hate humans. I don’t expect most humans who are buying cameras these days to understand or know how to properly hold a camera.

Nikon is supposed to issue another firmware update offering up film grain soon. I wonder if they’ll fix flash issues too.

More importantly, I wonder what’s taking them so long. Nikon is a company I truly want to root for. But when stuff like this happens, I’m reminded why they nearly completely fell apart several times over the past 20 years.

Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris’s editorial work includes not only editing and scheduling articles but also writing them himself. He’s the author of various product guides, educational pieces, product reviews, and interviews with photographers. He’s fascinated by how photographers create, considering the fact that he’s legally blind./

HIGHLIGHTS: Chris used to work in Men’s lifestyle and tech. He’s a veteran technology writer, editor, and reviewer with more than 15 years experience. He’s also a Photographer that has had his share of bylines and viral projects like “Secret Order of the Slice.”

PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others.

EXPERIENCE:
Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he’s evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he’s done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, WordPress, and other things.

EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he’s learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc.

FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn’t get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don’t do it in post-production when you can do it in-camera.



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