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Do Photographers Really Need RAW Files Anymore?


Every time a brand new camera comes out, you have to wait for software to update and be able to process the RAW files. These digital negatives are pretty handy and much different from the JPEGs that are produced. RAWs contain a of data and are much like buying your own ingredients to make something like a cake or curry. On the other hand, the JPEG is like buying it from a restaurant and bringing it to a party. But these days, JPEG editing in apps is just so good, it’s hard to conceive whether or not we really need RAW files anymore. Sure, RAW files can make things easier; but so can in-camera presets and knowing how to light. For years, I’ve been telling photographers to do more in-camera and do less in post-production. And in 2025, I think we’ve really gotten to a place where you don’t really need post-production anymore in many cases. Even if you do, the editing that’s available for JPEG files is very, very good.

I’m a journalist for a living who tests cameras, lenses, etc. But on the side, I gain taxable income from shooting images. Typically, I shoot events. I’m very unique in that I’m legally blind and I find ways to make my images look totally different from what you’d see anyone else make. It often involves lighting, in-camera preset recipes, specific white balancing, manual exposures, lens filters, and special handholding techniques. I work really hard to make images that generative AI couldn’t make easily because there isn’t enough of the work out there that exists. I mean, how would one prompt for the type of work that I make?

Photographers all have their own unique ways of making images. Lots of it involves endless post-production, sometimes for days or much longer than it took to shoot.

These days, nearly anything that you’d want to do in Lightroom or Capture One can be done in-camera. RAW files help us out when we can’t make something happen in-camera. Today, however, nearly anything can be done in-camera with the exception of some very specific technical color changes.

RAW files are great in that way. However, most photographers don’t do insanely technical editing.

More photographers should shoot for the JPEG and only rely on RAW files when they really need to. But in most cases and situations these days, most images we see don’t require RAW files.

Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris’s editorial work includes not only editing and scheduling articles but also writing them himself. He’s the author of various product guides, educational pieces, product reviews, and interviews with photographers. He’s fascinated by how photographers create, considering the fact that he’s legally blind./

HIGHLIGHTS: Chris used to work in Men’s lifestyle and tech. He’s a veteran technology writer, editor, and reviewer with more than 15 years experience. He’s also a Photographer that has had his share of bylines and viral projects like “Secret Order of the Slice.”

PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others.

EXPERIENCE:
Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he’s evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he’s done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, WordPress, and other things.

EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he’s learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc.

FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn’t get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don’t do it in post-production when you can do it in-camera.



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