
Spread the love
I didn’t think that it could be done, but Viltrox made a 35mm f1.2 autofocusing lens that I want to carry around with me all the time. And I’m not talking about for just work, but a true 35mm f1.2 that is light enough to want to always bring around with you. What’s more, it boasts great image quality and weather resistance.
The Big Picture: Viltrox 35mm f.2 FE Lab Conclusions
To recap what I say later on in the review, I’m considering getting rid of all my Sony lenses and just keeping Viltrox around with Tamron for zoom lens coverage. I never thought that a brand would make a 35mm f1.2 lens that I’d want to bring around all day. But this is lightweight enough, small enough, and performs so well. I’m so shocked that this lens exists and I’d gladly take it with me on a vacation as the only lens that I bring with me.
We’re giving it four out of five stars. Want one? Check it out on Amazon.
Pros
- The “pop” in the images is really lovely
- Weather sealing is comparable to Tamron in our tests
- Fast autofocus even if it misses at times
- Tracking works well enough for most situations
- Pretty affordable
Cons
- Sometimes can miss the autofocus; to the point that this is what I’d expect from a Sigma lens.
- Disabling the aperture ring isn’t as apparently easy as you’d think, but once you get the hang of it, it’s fine.
- It’s a big lens
Gear Used
Here’s what we used:
- Viltrox 35mm f1.2 FE Lab: Provided to the Phoblographer to keep
- Sony a7r III: Our own unit
- Profoto B10: Our own unit
Innovations
There isn’t much that’s innovative about this lens. However, it is the first to include the little LED screen up top. That, and there aren’t many 35mm f1.2 lenses out there. Sony will surely be taking this lens seriously as they’ve recently been considering Viltrox to be a serious contender.
Who Should Buy the Viltrox 35mm f1.2 FE Lab?
This lens is for all types of documentary shooters.
Hardware



First off, I need to note that the Viltrox 35mm f1.2 FE Lab is very well built. There’s metal, plastic, and rubber involved with the construction. It feels good in the hand and it isn’t a problem to bring it around for a whole day of shooting. In fact, I brought this lens for a 13.5 mile walk here in NYC. It felt a whole lot lighter than anything I’ve used from Sigma in the past.
One of the most impressive things about this lens is the fact that it has a whole lot of weather resistance, which some folks wrongfully label as weather sealing. We took it out into the rain for a shooting session and it didn’t fail at all. If anything, Sony’s cameras are more likely to fail in the rain.
When I held this lens along with the 135mm f1.8 from Viltrox, I see commonalities. And if anything, I’m considering getting rid of all my Sony lenses. I’d keep Viltrox for their prime lenses and Tamron for their zooms.
Focusing

Autofocus with the Viltrox 35mm f1.2 FE Lab isn’t totally its strongest suit. While it’s good, I truly think that the 135mm f1.8 was much better. However, most of the testing I did with the lens was with it on not the final firmware update. Once that was done, things changed and seemed a bit snappier and more accurate. Note that with older Sony cameras, it won’t be able to do AF tracking when animals are selected unless you’re in specific autofocus modes. In contrast to Tamron, which Sony partially owns, Tamron lenses will have no issues at all with tracking in similar situations.

Ease of Use
Turn the aperture all the way stopped down and then you can control it via the camera instead of the lens. Otherwise, that’s really all that you need to know that’s out of the norm. It operates like a typical high end Sony lens and if you’re familiar with those, then you’ll have no issues with this one.
Image Quality
Perhaps my favorite thing about the Viltrox 35mm f1.2 FE Lab is the image quality. The bokeh is nice, the colors are rich, and the sharpness is decent though not as much as it is with the 135mm f1.8. Still, I really like the image quality as it almost reminds me of the older Sony Zeiss lenses. So if you’re into that classic mirrorless camera look, then you’ll want to reach for this. When you use it combined with a flash the image quality becomes even sharper due to how the laws of physics work. But I truly like that this isn’t a terribly clinical lens; though you can tell Viltrox is leaning that way.
Extra Image Samples
The Phoblographer has been huge on transparency with our audience since day one. Nothing from this review is sponsored. Further, many folks will post reviews and show lots of editing in the photos. The problem then becomes that anyone and everyone can do the same thing. They’re not showing what the lens can do. So, we have a section in our Extra Image Samples area to show edited and unedited photos. From this, you can decide for yourself.
Unedited


















Edited





























































Tech Specs
These are taken from Viltrox’s website
- F1.2 Ultra-Large Aperture
Smooth, dreamy bokeh, and bright low-light performance—perfect for portraits and night shots. - Flagship-Level Sharpness
Outstanding edge-to-edge clarity, even wide open at F1.2—ideal for high-resolution sensors. - Advanced Optical Structure
15 elements in 10 groups, including 5 ED, 3 HR, and 2 UA lenses—deliver high contrast and low aberration. - Quad Viltrox HyperVCM Autofocus
Fast, silent, and precise autofocus with face/eye tracking—optimized for both photo and video. - Pro Controls + LCD Display
Multi-function ring, dual Fn buttons, clicked/de-clicked aperture ring, and a customizable info screen. - All-Metal Weather-Sealed Build
Aerospace-grade metal body with dust & moisture resistance for reliable outdoor shooting.
Declaration of Journalistic Intent
The Phoblographer is one of the last standing dedicated photography publications that speaks to both art and tech in our articles. We put declarations up front in our reviews to adhere to journalistic standards that several publications abide by. These help you understand a lot more about what we do:
- At the time of publishing this review, Viltrox is not an advertiser with the Phoblographer. This doesn’t affect our reviews anyway and it never has in our 15 years of publishing our articles. This article is in no way sponsored.
- Note that this isn’t necessarily our final review of the unit. It will be updated, and it’s more of an in-progress review than anything. In fact, almost all our reviews are like this.
- None of the reviews on the Phoblographer are sponsored. That’s against FTC laws and we adhere to them just the same way that newspapers, magazines, and corporate publications do.
- Viltrox sent the unit and accessories to the Phoblographer for review. There was no money exchange between Viltrox and the Phoblographer for this to happen. Viltrox and several other manufacturers trust the Phoblographer’s reviews, as they are incredibly blunt.
- Viltrox knows that they cannot influence the site’s reviews. If we don’t like something or if we have issues with it, we’ll let folks know. We were the first publication to inform about the issue with the Leica M10R and how it renders the color orange. We’ve also called out Sony on several things as well as gone back and changed ratings on products before.
- Viltrox shipped the unit to the Phoblographer and, if they request it back, will be paying for the return shipment. This is a standard practice in the world of journalism.
- The Phoblographer’s standards for reviewing products have become much stricter. After having the world’s largest database of real-world lens reviews, we choose not to review anything we don’t find innovative or unique, and in many cases, products that lack weather resistance.
- In recent years, brands have withheld NDA information from us or stopped working with us because they feel they cannot control our coverage. These days, many brands will not give products to the press unless they get favorable coverage. In other situations, we’ve stopped working with several brands for ethical issues. Either way, we report as honestly and rawly as humanity allows.
- At the time of publishing, the Phoblographer is the only photography publication that is a member of Adobe’s Content Authenticity Initiative. We champion human-made art and are frank with our audience. We are also the only photography publication that labels when an image is edited or not.
More can be found on our Disclaimers page.