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Give Us a Real CL Digital Please


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Dear Leica, in 2017 you made one of the weirdest cameras I’ve ever seen you make. It was called the Leica CL — and it was a digital ode to one of your best cameras. I only knew of one influencer with a boring voice who bought one. And no one has really spoken about it in years or even asked you about it. But I think it’s time to have the discussion again. I truly think that you, Leica, could make the Q3 into a Leica CL digital camera of some sort.

The Leica CL was more or less a smaller Leica camera in every single way but didn’t have all the features of a full-blown Leica M camera. However, people wanted it, bought it up, and if cannibalized the sales of the Leica M cameras. We all know this.

But today, the Leica Q3 isn’t cannibalizing the Leica M series. And it isn’t doing that to the SL series either.

If, quite literally, you removed the EVF from the Leica Q3, made the camera smaller, and had it keep the IP durability rating, this would be a nice successor of some sort to the Leica CL. Better yet, do it with the Leica Q3 43. It wouldn’t really need to be an interchangeable lens camera of some sort, but that would be quite nice. The original CL came with a 40mm f2 lens. And the 43 comes with a 43mm lens. That’s close enough!

More importantly, I think lots of folks would buy this. I don’t really need an EVF to make photos as I understand and accept that screens are more than good enough these days. But you could make the current Leica Visioflex an accessory that works as an EVF.

This, quite honestly, would be the only camera I want and need. It would be a great personal fun camera that I also use as a secondary camera for work at times. It would also be an even more affordable way for people to get into a higher end Leica camera.

But also think about this: it would be so much easier for you folks to make it.

Please, Leica. Don’t give up on reviving the Leica CL. And don’t think that your fans have forgotten about it.

Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris’s editorial work includes not only editing and scheduling articles but also writing them himself. He’s the author of various product guides, educational pieces, product reviews, and interviews with photographers. He’s fascinated by how photographers create, considering the fact that he’s legally blind./

HIGHLIGHTS: Chris used to work in Men’s lifestyle and tech. He’s a veteran technology writer, editor, and reviewer with more than 15 years experience. He’s also a Photographer that has had his share of bylines and viral projects like “Secret Order of the Slice.”

PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others.

EXPERIENCE:
Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he’s evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he’s done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, WordPress, and other things.

EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he’s learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc.

FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn’t get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don’t do it in post-production when you can do it in-camera.



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