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How to Make Your Digicam Battery Last Longer


The biggest and most important tip that I’d tell anyone who’s bought a digicam in the past few years is to make sure that your battery life will last. Sure, you can go ahead and see if you can find a newer battery on Amazon or something. But in many cases, that’s just not possible. So what do you do instead?

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Well, the best thing that you can possibly do is dim the screen. You know how your phone can automatically adjust its brightness for you? Well, camera screens only really got good at doing that in the past few years. However, if you’ve bought a digicam, chances are that you’ve got pretty good eyesight. In that case, you should be just fine dimming the screen to do whatever you want.

If you’re in bright sunlight, then it’s probably better to turn the brightness all the way up. But know that if you do that, it will drain the battery life very quickly. The darker you can make the screen, the less battery life it will drain. That means that you’ll be able to shoot more photos.

On top of that, there are a few other things. Don’t turn the camera on and off all the time because powering the lens drains more battery. Set the sleep timer to something reasonably long, instead.

You’d be amazed at how much the lens can drain battery power. In addition to the tip I just mentioned, also be sure to set the camera to Single autofocus and perhaps even just use the center focus point. Digicam batteries and the cameras themselves are pretty old. And it wasn’t until really recently that battery life was really good. The only exception to that rule is with Canon — they’ve always had pretty amazing battery life.

Then there’s memory! If you have access to a faster SD card, use it. It will mean that it’s much more efficient for the camera to write the image to the card. Therefore, it will also drain less battery power.

Try these tips and you’ll notice that your retro Digicam will be able to last so much longer.

Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris’s editorial work includes not only editing and scheduling articles but also writing them himself. He’s the author of various product guides, educational pieces, product reviews, and interviews with photographers. He’s fascinated by how photographers create, considering the fact that he’s legally blind./

HIGHLIGHTS: Chris used to work in Men’s lifestyle and tech. He’s a veteran technology writer, editor, and reviewer with more than 15 years experience. He’s also a Photographer that has had his share of bylines and viral projects like “Secret Order of the Slice.”

PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others.

EXPERIENCE:
Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he’s evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he’s done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, WordPress, and other things.

EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he’s learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc.

FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn’t get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don’t do it in post-production when you can do it in-camera.



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