Apple might be more than simply entertaining fans with its new concert. Apple did a special immersive Metallica concert in early 2025 for its Vision Pro headset. It seemed like a new form of entertainment, but now most think that it was something more. It could have been a real-world test of Apple’s new immersive cinema camera.
That concert was not recorded with ordinary cameras. Apple employed 14 specially constructed cameras. They were set up everywhere on stage. Some hung by wires, others on rolling dollies. The aim? To capture the concert in 8K resolution, in 3D, and Spatial Audio. It was all designed to fit Apple’s new “Immersive Video” format.
A Closer Look at Immersive Cinema Camera
This configuration implies something obvious: Apple is possibly developing a cinema-quality camera of its own. One is designed to capture immersive 3D video optimized for use with its own Vision Pro platform.
Apple’s camera enthusiasm is not new. Apple patented as early as 2016 a dual-lens camera system. At the time, its designs focused on 3D video rather than photography. In 2021, that patent was granted. Now, it appears Apple is making its vision a reality.
Apple released a short film in late 2024 called Submerged. It was recorded with Apple’s 8K 3D immersive cinema camera, directed by Oscar-winning Edward Berger. The camera reportedly utilized two large sensors, potentially the same size found on most cinema cameras.
While Apple has been ahead of the game, other businesses are playing catch-up. Blackmagic Design, a film equipment company, unveiled its own immersive camera. Blackmagic Design also designed it to be compatible with Apple’s video format. That is proof that Apple’s system is more than just a theory. It exists, and other businesses believe in its worth.
But why is Apple going to all this trouble? The reason could be the Vision Pro. It is a capable headset, but it has an issue. There is not enough content created for it. No content equals fewer users. And no users mean little incentive to create more content. Apple could be attempting to end this loop by building the tools that create content themselves.
Some folks believe Apple might take it a step further. They wonder: why not purchase Blackmagic outright? It already possesses cameras, editing software such as DaVinci Resolve, and an existing user base. If Apple acquired Blackmagic, it would be able to produce an end-to-end workflow from capturing, to editing, to viewing, all within its own environment.
Final Thoughts
For me, the Metallica concert was about more than just a concert. It felt like a test, one done in plain sight. If Apple is actually developing an immersive cinema camera, it could revolutionize how creators tell stories.
Consider filmmakers shooting entire concerts, landscapes, or short films in 3D for audiences to view through a headset. That would be wild. However, it also raises significant questions. Will this be something that only major studios can do? Or will smaller creators get access too? I am curious, and honestly, a bit excited to see where this goes.
[via ymcinema; Image credits: Apple]
