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The Fix for a Very Annoying Capture One Problem


Recently, I moved away from Capture One to Adobe Lightroom — partially for the better metadata management. I’ll admit it — lots of things are harder to do in Capture One than in Lightroom. But at the end of the day, Capture One just consistently gives me better looking images. On top of that, Lightroom always crashes for me. Recently when I got done with a shoot, I wondered how my edits would’ve looked in Capture One. Immediately, I was brought back to how much better of a photo editor Capture One is. And so it prompted me to try more things to find a solution to better metadata management.

The Problem

If you’re editing photos in Capture One, syncing the edits that you made to the images is pretty simple. But what is often missed are the really important things for managing your images. In this case, I’m talking about naming, captions, etc. As it is, Capture One doesn’t even call them “Captions.” Instead, they’re called “descriptions.” Now, in situations where you want to sync all the images together to have the same metadata — such as for a product shoot or a commercial portrait session — you can’t do that easily.

You think that all you’d need to do is edit a single image, select all that you want to have the same edits, and then click on “sync metadata.” But that’s apparently been a bug for a very long time.

So only by experimenting around did I finally find a fix.

The Fix

1. Make caption edits to the first image
2. Highlight all the images you want to have the same caption
3. In metadata, click the double arrow head,
4. Select the fields you want synced
5. Sync them by clicking apply.

After that, everything is synced up.

Capture One: Please Make Things Easier

Considering that Capture One does a lot of work with higher end studios, it’s odd to me that this would be lacking in many ways. But we’re sure that we’re not the only photographers looking to fix this problem. It would be incredible if Capture One let us customize the metadata of images in the export window or make the syncing much easier to do.

Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris’s editorial work includes not only editing and scheduling articles but also writing them himself. He’s the author of various product guides, educational pieces, product reviews, and interviews with photographers. He’s fascinated by how photographers create, considering the fact that he’s legally blind./

HIGHLIGHTS: Chris used to work in Men’s lifestyle and tech. He’s a veteran technology writer, editor, and reviewer with more than 15 years experience. He’s also a Photographer that has had his share of bylines and viral projects like “Secret Order of the Slice.”

PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others.

EXPERIENCE:
Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he’s evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he’s done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, WordPress, and other things.

EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he’s learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc.

FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn’t get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don’t do it in post-production when you can do it in-camera.



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